[30-Mar-2023 23:09:30 America/Boise] PHP Fatal error: Uncaught Error: Call to undefined function site_url() in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php on line 3 [30-Mar-2023 23:09:35 America/Boise] PHP Fatal error: Uncaught Error: Call to undefined function site_url() in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php on line 3 [30-Mar-2023 23:10:21 America/Boise] PHP Fatal error: Uncaught Error: Class 'WP_Widget' not found in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php on line 3 [30-Mar-2023 23:10:25 America/Boise] PHP Fatal error: Uncaught Error: Class 'WP_Widget' not found in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php on line 3 [07-Apr-2023 14:46:00 America/Boise] PHP Fatal error: Uncaught Error: Call to undefined function site_url() in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php on line 3 [07-Apr-2023 14:46:07 America/Boise] PHP Fatal error: Uncaught Error: Call to undefined function site_url() in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php on line 3 [07-Apr-2023 14:46:54 America/Boise] PHP Fatal error: Uncaught Error: Class 'WP_Widget' not found in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php on line 3 [07-Apr-2023 14:47:00 America/Boise] PHP Fatal error: Uncaught Error: Class 'WP_Widget' not found in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php on line 3 [07-Sep-2023 08:35:46 America/Boise] PHP Fatal error: Uncaught Error: Call to undefined function site_url() in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php on line 3 [07-Sep-2023 08:35:47 America/Boise] PHP Fatal error: Uncaught Error: Call to undefined function site_url() in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_constants.php on line 3 [07-Sep-2023 08:36:10 America/Boise] PHP Fatal error: Uncaught Error: Class 'WP_Widget' not found in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php on line 3 [07-Sep-2023 08:36:15 America/Boise] PHP Fatal error: Uncaught Error: Class 'WP_Widget' not found in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php:3 Stack trace: #0 {main} thrown in /home3/westetf3/public_html/publishingpulse/wp-content/plugins/wp-file-upload/lib/wfu_widget.php on line 3

alisa weilerstein child

Music is about communication. At least I dont.. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from playing for President Obama to taking on an iconic musical assignment. The other goal that I have is to try to help create a twenty-first century repertoire for the cello, much in the way that Rostropovich did in the twentieth century. Its nice, and of course, its a great honor. I tend to say yes too often, but Im trying to get better at that. Celebrity Series of Boston Its a constant challenge, too. What does the idea of creative freedom mean when youre a classical musician? Free to write what he wanted, Moya drew on the personal ties that he has to Weilerstein through the conductor Rafael Payare, her husband. This is the philosophy behind the project, fundamentally: connecting the pieces, connecting the voices of our time together, connecting the familiar and the new, connecting this music with the audience without the barrier of so much contextualization, categorization, bias, all of these things., And connecting, she added, our contemporary world with the concert format. Alisa Weilerstein is one of the foremost cellists of our time. Some did, she said, and some very much did not.. For anyone in the classical music world, being able to expose other people to these great works is always something you hope to do. This is, therefore, a Romantic and very exciting set of cello suites. The newly renovated Dock Street Theater in Charleston, S.C., plays host to Gypsy-inspired sounds. For that reason, the lack of program notes before the lights go dark, the audience will be given only the most basic information about the project, and the names of the composers they will hear is a core part of Fragments, and a sign, its creators said, that, for all the deliberate, thoughtful artifice, the focus is on the music. Alisa Weilerstein is one of the foremost cellists of our time. Most classical musicians regard his work as sacred in terms of really abiding by exactly what he wrote, in terms of dynamic markings and tempi and that sort of thing. Cellist Alisa Weilerstein has appeared with leading orchestras all over the U.S. and Europe and has played chamber music with her parents, both well-known performers, in the Weilerstein Trio. Alisa Weilerstein (Cello) - Short Biography - Bach Cantatas Website The work was co-commissioned with the Detroit Symphony; the Cleveland Orchestra, where Weilerstein performed it last fall; and the National Symphony, where she reprised it in May. A Cellist Breaks Music Into Fragments, Then Connects Them As a soloist she has performed with a number of other major orchestras on four continents. AW: No, she actually offered quite a lot of technical advice because - contrary to popular belief - the violin and the cello are really not that different, it's actually the same but just reversed. With her multi-season new project, FRAGMENTS, Weilerstein aims to rethink the concert experience and broaden the tent for classical music. It gives you a totally new tool. September 20, 2011 Hear the young cellist discuss her new award and watch her play at the NPR offices. At this point in your career, how do you define success? In this interview from the Harris Hall stage in Aspen, Performance Today's Fred Child talks with renowned cellist Alisa Weilerstein about the Aspen experience, and what the school and festival means to her. Now, the youngest Weilerstein's profile as a soloist is being kicked into high gear. We also use third party cookies which help us analyze and understand how you use this website. Pentatone's sound is a bit too close but catches the intensity and the controlled spontaneity of these readings. I think of Mozart as a true prodigy. hide caption. Theres this idea that we have a literal script in front of us. Born in New York to a violinist father and pianist mother, she grew up and eventually formed the Weilerstein Trio with her parents. The 27 who agreed including Tania Len, Joan Tower, Carlos Simon and Daniel Kidane make up a roster that is remarkably diverse demographically and stylistically, but almost all of them asked if they should write with specific reference to Bach, Weilerstein recalled. Im always juggling a lot of repertoire at the same time, which requires a lot of rehearsal. hide caption. Other career milestones include a performance at the White House for President and Mrs. Obama. She was awarded the MacArthur genius grant in 2011. I was 14 when I went with my manager. November 6, 2012 Hear an excerpt of MacArthur "genius" cellist Alisa Weilerstein's excellent pairing of the Elgar Cello Concerto recorded with Daniel Barenboim, whose late wife Jacqueline Du Pre's name was synonymous with this piece and the cello concerto by Elliott Carter, who died yesterday at 103. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo Weilerstein has achieved an impressive set, one that stands apart from the hundreds of others available, yet gives the listener the feeling that she might have done it differently the next day. She is married to Venezuelan conductor Rafael Payare, with whom she has a young child. There are only a few weeks of the year when Im not on the road. She plays the suites in the sequence 1, 3, 6, 2, 4, 5, making the virtuosic and difficult Suite No. I think its a fantastic resource, and he writes so beautifully. Her repertory is wide but has been marked by a focus on contemporary music. Allegro molto vivace 11:54 Golijov: Omaramor For Solo Cello 8:14 Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin Alisa Weilerstein is one of the foremost cellists of our time. Alisa Weilerstein (1982-) Alisa Weilerstein. As a child prodigy, Ma performed for presidents Dwight D. Eisenhower and John F. Kennedy when he was only seven years old. Cellist Alisa Weilerstein, one of the newest MacArthur "geniuses." You made your professional debut at the age of 13 and were often referred to as a child prodigy. You can also deactivate these cookies. So to return to it was actually really wonderful, because I found all sorts of new things in it. She will offer new music: quite a lot of it, selected from works by 27 composers she has commissioned. April 19, 2017 - Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. She was awarded the MacArthur genius grant in 2011. These cookies do not store any personal information. I just want to have a kind of outpouring of music, of thoughts, and everything else, she told The New York Times then. Thats the beauty of it. Jamie Jung With contemporary music, theres so much context put around it even before weve heard anything.. 2023 Los Angeles Philharmonic Association. Do you even remember the first time you were here? Weilerstein did set some rules. People might not realize that the further you go in this business, the more travel is absolutely a part of the job description. The goal is always to know these scores better, to truly live with the great masterworkslike the Bach Suites, for example. Weilerstein was born in Rochester, New York. to a secular Jewish family. She started playing the cello at age four. She made her debut at age 13 with the Cleveland Orchestra playing Tchaikovsky 's Variations on a Rococo Theme. As a soloist she has performed with a number of other major orchestras on four continents. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. Alisa Weilerstein performs at the National Aquarium in Baltimore. theres no substitute for time away. I came to Aspen, I think, for 16 summers of my first 18 years of life, so I spent a lot of my formative years here, so it really feels like another home to me. Concert matines: opens at 9 a.m. If you have played these pieces many times, as I have, this is the sort of thing you crave. Conversation Alisa Weilerstein on what it means to be a classical musician Music , Beginnings, Collaboration, Process From a conversation with T. Cole Rachel April 19, | Disclaimer | Sitemap Literally. 6 in D major, BWV 1012, into a sub-climax that concludes CD 1. Come that November, Weilerstein had put her cello away, and she was taking long walks on the beaches near her home in San Diego instead of practicing. I do think, though, that we clearly have a problem, that we are not connecting with enough people, and that we are relying too much on our old models of presenting, especially when it comes to new music.. Alisa Weilerstein Renown cellist will play three of Bach's 'Unaccompanied Cello However, even with a very specific composer like that, there is tremendous room for interpretation. Alisa Weilerstein - IMDb Business. Is it to be an interpreter? I have actually recorded the Elgar with Daniel Barenboim. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo recitalist, chamber musician and concerto soloist with leading orchestras worldwide. Labels are generally very, very unhelpful. Law Office of Gretchen J. Kenney. WEILERSTEIN HAS NEVER had the reputation of being a new-music specialist, but she has given her fair share of premieres, and few of her colleagues on the international circuit can list anything so bold as her recording of Elliott Carters Cello Concerto on their discographies. Alisa Weilerstein | Opus 3 Artists As Artistic Partner of the Trondheim Soloists, she regularly tours and records with the Norwegian orchestra. Cellist Alisa Weilerstein has announced on her Facebook page that she and her husband, the conductor Rafael Payare, are expecting their first child together. Saturday and Sunday: from 2 hours before the concert starts until 30 minutes after the concert starts The perspective gives you something. It didnt last. Among these cookies, cookies classified as necessary are stored on your browser because they are essential for the functioning of the basic functionality of the website. I know many people who say, I got inspired by such-and-such conductor when my school took me on a field trip to hear a concert, or such-and-such musician came to my school, and then I knew I loved classical music. The goal is not necessarily that theyll all become musicians, but just that this music will be part of their lives. Anyone can read what you share. These cookies will only be stored in your browser with your consent. Try typing something like "creative blocks", "spiral", "world", "green" or "blue" and our snail will find what you're looking for. Her Sarabandes are extraordinary, very slow (a lot of the high time total is racked up here) without being emotionally overwrought: they are deeply meditative. May 22, 2022 6 AM PT Balancing an infant with a whirlwind career as one of classical musics most in-demand cellists comes easily for Alisa Weilerstein. Bach was not available for consultation, but she is subjecting his suites to the same treatment. You have to have a willingness to collaborate. Who are any of us next to Mozart? People assume that this is the only thing you know how to do, or that your talent is a kind of idiot-savant type of thing. Her passionate performance of Chopin's Cello Sonata at WGBH is the sign of a young musician well on her way to a major career. If theres a piece that Ive been playing over and over again, its very helpful to put it away for a while. WebAlisa Weilerstein is one of the foremost cellists of our time. clip-path:url(#SVGID_2_); This is important for any musician. An ardent proponent of contemporary music, she has also premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. I realized that what he was telling me was very valuable. So that was a very important thing. She will be there, playing solo. Brava, brava, brava! I also heard of other people of my generation being called a prodigy as if they were simply a precocious kid. For me, it didnt matter whether I was playing in front of people or not. She and the cello seem simply to be one and the same, agrees the Los Angeles Times. Entertainment & Arts. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. WebAbout Alisa Weilerstein. Meet Fragments, a project whose first installment of six Weilerstein will perform at Zankel Hall on April 1. But if both of us are open to different orientations or interpretations, that can yield a really interesting interpretation and performance. Already an authority on Bachs music for unaccompanied cello, in spring 2020 Weilerstein released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed more than two million times. I am traveling almost all the time. There was a temptation to write something really virtuosic, really out there, really avant-garde, said Reinaldo Moya, one of the more junior composers in Weilersteins group, because youre not going to have the chance to work with a soloist of that caliber every time. Gerardo Antonio Sanchez Torres/courtesy of the artist, Alisa Weilerstein Plays Elgar: Exploring Music With An Intense Past, Young Cellist With An Old Soul Plays Elgar, Elliott Carter, Alisa Weilerstein: Playing Bach With The Fishes, Around The Classical Internet: September 23, 2011, Cellist Alisa Weilerstein Among MacArthur Grant Winners, Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires, Band Of Gypsies: Haydn And Brahms At Spoleto Festival, Alisa Weilerstein: The Art Of Chopin's Cello. hide caption. Alisa Weilerstein : NPR 1 888 842-9951. We all had a lot of time to think about what it means to really connect with an audience, what it means to connect with each other, and an appreciation for being in one communal space.. Weilerstein was born in Rochester, New York, on April 14, 1982. She asked that the new pieces be about 10 minutes long, and that they come in two or three fragments that she could intersperse with other scores without violating the meaning of the music. .st0{ This is always the subject of debatewhat is the role of the performer? An authority on Bachs music for unaccompanied cello, Weilerstein recently released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed almost 1.5 million times. Youre playing these well-known, exacting pieces of music. Dont do it for anybody else. This means people can now refer to you as a genius in an official capacity. Its about communicating ideas which are inexpressible in words. He was the muse for Shostakovich and Prokofiev, and he premiered over a thousand works over the course of his lifetime. Also, you cant be afraid of performing. Phone: 650-931-2505 | Fax: 650-931-2506 AW: I was 13 when I first came as a student, so that was 1995, and I studied with David Finckel, and also, I played for Dorothy DeLay quite a lot. Everyone brings their perspective and insight into what the composer actually meant. There is no end point. So you budget accordingly. Alisa Weilerstein Im constantly trying to budget my time properly so that I have enough time and head space to really work on the things that I need to do in a practical sense, but also grow as an artist. Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composers wishes, she inhabits a piece fully and turns it to her own ends, marvels the New York Times. She doesnt give the impression that making music involves will at all. Thats a great advantage of playing these real masterworks, because theyre so rich in detail that you can always find something new, no matter how many times youve played them. Alex Irvin / Courtesy Aspen Music Festival and School. I read a lot of books. Her discography also includes chart-topping albums and the winner of BBC Musics Recording of the Year award, while other career milestones include a performance at the White House for President and Mrs. Obama. Cecilia BartoliI love virtually everything she does. 25 by Brahms on June 11 at the Spoleto Festival USA in Charlestown, S.C. For her though, Fragments is an attempt to make the concert hall more of a place of adventure again, and less of a dead end. Weilerstein recently premiered Joan Towers new cello concerto, A New Day, at the Colorado Music Festival. Alisa Weilerstein on What It Means to Be a Classical Musician The goal is always to know these scores better, to truly, The Creative Independent is ad-free and published by, Master Class (esk filharmonie / Czech Philharmonic), Rachmaninovs Sonata for Cello and Piano in G Minor. Cellist Alisa Weilerstein, explaining her decision to retract an earlier promise not to play the pieces until she was older, says that the suites "present the player with infinite possibilities." For aspiring classical musicians, what kind of advice can you offer other than practice, practice, practice? Alisa Weilerstein is an American cellist who started playing the cello at a young age. Gerardo Antonio Sanchez Torres/courtesy of the artist February 16, 2012 Positioned above a tank full of stingrays at the National Aquarium, Weilerstein used her cello to serenade sea creatures (and many pleasantly surprised visitors) with music by Johann Sebastian Bach. 4 in E-flat Major, BWV 1010. Image. Reisers set stays constant, a deconstructed theater arrayed so that it evokes soloists constant struggles to create a room of ones own as they travel the worlds halls, Pulitzer said, and at the same time reawakens the spaces for the people who are familiar with them. Each composer has a specific lighting color, to give a sense of which fragments combine to make wholes. Alisa Weilerstein is a young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition. I was interested in other things. March 24, 2023 When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical Adagio (Con gran espressione) 12:35 3. And I played in master classes for Zara Nelsovanand for Lynn Harrell. Weilerstein wanted for the first thing that listeners hear to be the Prelude from the first Suite. For example, as recently as November, Weilerstein still planned to perform the complete Bach suites for cello in Santa Barbara in April of 2021. WebExplore Alisa Weilerstein's discography including top tracks, albums, and reviews. Theyre chamber music players, which means that theyre listening to each other individually. The trio currently resides at the New England Conservatory in Boston. Her brother is the violinist and conductor Joshua Weilerstein (born in 1987). She is married to Venezuelan conductor Rafael Payare. [5] Weilerstein has received a number of honors. Alisa Weilerstein & conductor Daniel Barenboim - Elgar & Carter Cello Concertos, Alisa Weilerstein: Master Class (esk filharmonie / Czech Philharmonic), Alisa Weilerstein and Inon Barnatan - Rachmaninovs Sonata for Cello and Piano in G Minor, Alisa Weilerstein plays Bachs Cello Suite No.3, Gigue. When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical musicians, was to find some way-any way-to communicate. But I wanted to go with my gut, and relate my work to something that might connect with her on that level, not a technical or a composer-y level.. He had this incredible way of distancing himself when we were working together, so it never felt like I was, sort of, battling a parent. To everyones credit, I think, everyone is wrestling with this issue, Weilerstein said in a recent interview from Toronto. Even when I was a very, sort of, unruly teenager, I still realized what he was telling me was good, so I took it (laughs). Box-Office Hours (1988) and When Alisa Met Elliott (2012). I got management early on. There Will Be Blood. Elina will But this project is intended to reimagine what a cello recital can be, to challenge some of the conventions that Weilerstein thinks might inhibit a listeners immediate response to the music, and to add layers of theatricality to the arguably staid traditions of the concert hall, in an acceptance that a musician is, after all, performing on a stage. Shes collaborated with many artists over the years and performed at well-known venues and schools all over the world, as well as being a solo cellist. Daniel Day-Lewis tour de force. To keep growing with them. AllMusic relies heavily on JavaScript. When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical musicians, was to find some way any way to communicate. Alisa Weilerstein Songs, Albums, Reviews, Bio & More | AllMusic But Weilerstein thinks of it not as a new approach to Bach, she said, rather a celebration of the really disparate voices in contemporary classical music, with Bach as a common reference point. Im still going to always try to improve as an artist and to be a more insightful interpreter. 2023 Orchestre symphonique de Montral. In that sense, theres no substitute for time away. So each of the six programs, which Weilerstein will offer over the next few seasons, will have a dramaturgical element: Hanako Yamaguchi, the former, longtime director of music programming at Lincoln Center, is her artistic adviser, and her production team includes the director Elkhanah Pulitzer, the set and lighting designer Seth Reiser, and the costumer Carlos J. Soto. You try to treat the score as something thats living and breathing, and therefore, malleable. Having scoured the internet to survey the new-music scene, and consulted with past collaborators including Osvaldo Golijov and Matthias Pintscher, Weilerstein invited 28 composers to participate. Here's a space to search our entire website. She was just an incredibly encouraging presence. This website uses cookies to improve your experience when you browse the website. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. William Struhs Weilerstein was born in Rochester, New York, but was raised in Cleveland, graduating from Cleveland Heights High School. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from .st0{fill:#000;}. Cello Suite No. If Weilersteins response was a common one to a common crisis, the result of her reflections shines with uncommon ambition, so much so that it is hard to think of many soloists of a similar stature who would dare to bring anything like it to the stage. Thats an important skill, unless you are someone who only plays alone always, you have to be able to communicate. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. Weilerstein at the Fragments premiere in Toronto. Ive found that my happiest collaborations with conductors, where Im playing a concerto with them, have been times where you come together from very, very different places. I havent played the Elgar in a long time. Learn all about Alisa Weilerstein on AllMusic. Group Sales Request View Seating Chart (PDF) He was Dad (laughs). Alisa Weilerstein: Fragments | Apr 1, 2023 in NYC | Carnegie Hall Theres the potential for a really deep kind of collaboration with them, which is kind of unique. Montreal (Quebec) H2X 0S1, Customer Service Hours September 15, 2010 The young cellist plays Bach with elegance, and takes listeners through the back streets of Buenos Aires with a gripping performance of Omaramor. June 16, 2010 Musicians at the 2010 Spoleto Festival U.S.A. bring out the "Gypsy" in Haydn and Brahms. Alisa Weilerstein talks about her experience at the Aspen Music Festival and School In this interview from the Harris Hall stage in Aspen, Performance Today's Fred Child talks with renowned cellist Alisa Weilerstein about the Aspen experience, and what the school and festival means to her. FC: And you mentioned Dorothy DeLay, who's a legendary violin teacher at Julliard and here in Aspen. You have to be in good shape to play the instrument well. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her.

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alisa weilerstein child

alisa weilerstein child